When the Chorus Bass line has three Voices these are generally similarly allocated, but between Tenor and Bass, except at Bar 83 et seq, where as suggested the tail-up notes are shared (undivided) with the Altos, and the tail-down notes are divided between the Tenors and Basses. Listen to Ariel Ramirez: Misa Criolla & Navidad Nuestra - Guido Haazen. When the Chorus Treble line has three voices, these are allocated tail up to the Sopranos, tail down to the Altos (and otherwise undivided) - and if there is no tail separation then the bottom two notes are shared by the Altos. Note that in these Files it is assumed that the Soloists are male - a tenor and a baritone - and that when, such as in the Gloria and the Credo, there are briefly apparently three Soloists the third voice is given to an additional baritone singer. Here is a "clickable" Table of the available Midi Files for this Work. There is an excellent performance of this Work by UCLA University Chorus, Chamber Singers & Guitar Ensemble, conducted by Rebecca Lord, on YouTube starting here. MisaCriolla Files "cleaned" originally Ariel Ramirez Misa Criolla
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